Friday, 1 November 2013

Self Evaluation

Sean Warman
Advanced Photographic Practices Evaluation
In the advanced photographic practices module, my aim was to create a video to show how we like to observe people through the use of the visual. When observing people, we like to generate ideas and stories in our heads as to what they are doing, and why.
My first idea was to look at CCTV, and create a video looking at how CCTV images create a sense of suspicion just by looking at them. To create this video, I set my camera up to take a photograph a second (similar to some of the older CCTV systems.) then compiled together a stop motion video in order to create what looked like a minuet of CCTV footage. Although happy with my outcome I felt that this was an area of work that had been looked into a lot in more recent years, and wanted to look into something slightly different.
To achieve my different approach, I returned to film the high street in Chester, this time focusing both on the high street as a whole and also focusing down on individuals. He aim of this was to create two videos. The first of which, the viewers create their own narrative. Then in the video, the narrative has been created for the viewer.  This is supposed to make the viewer aware that although they can create their own narratives, most things they see are forced in a way that they see what the producer wants them to see.
I feel that I have been successful in creating body of work that looks into observation through the use of video. And although there have been a few changes from my first idea, the work is now stronger and more developed than I could have hoped at first. Thanks to this experience on the advanced photographic practices module, I will go on to produce more photographic based work using video as well as stills. Both mediums compliment each other well.

Although I am happy with the end product, one way I could improve my work is by using a higher quality sound recorder, as sound can be just as important as what you can see when producing a body of work.

Ways of Displaying work

I have done some research into different ways of displaying artistic work.

Bruce Nauman 

Artist biography _ Tate
Bruce Nauman born 1941
American sculptor noted also for his environments, films and videotapes. Born in Fort Wayne, Indiana. Studied at the University of Wisconsin at Madison 1960-4 (first mathematics, then art), and at the University of California at Davis 1965-6. Stopped painting in 1965 and began to make objects, performance pieces and films. First one-man exhibition, of fibreglass sculptures, at the Nicholas Wilder Gallery, Los Angeles, 1966. Moved in 1966 to San Francisco. Made sculptures based on the backs of objects or moulded from parts of his own body; also works concerned with the notion of hiddenness or inaccessibility, and neon pieces with words (sometimes more or less illegible). Since 1968 his work has consisted mainly of performance pieces, e.g. films of such actions as Bouncing Two Balls between the Floor and the Ceiling with Changing Rhythms, or corridors and installations involving a limited degree of spectator participation and exploring effects of parallax, audio-tactile separation, disorientation, etc. Lives in Pasadena, California.

Published in:
Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, p.552


looking at this artists work on hanging televisions gave me the idea to display more than one video at a time 

Wednesday, 30 October 2013

Video Proposal / Support Document.

Proposal for Videos

In my two videos, I am looking at the theme of observation and identity through a camera mounted like a static CCTV camera and a video that has been cut up and put together to create a narrative.  To arrive at this idea of observation, I looked at how we all like to observe each other and because we know we are being observed, we act in a certain way.

The first video is set up in a similar way to a CCTV camera and is a recording of the high street in Chester from above. In this video, the viewer is encouraged to look at what is happening in the high street, and start to form a narrative in their own mind as to what is happening, this may differ greatly from viewer to viewer, or could possibly be similar. The video will be played in a loop giving the viewer a chance to watch several times to really get to grips with the large amount of things simultaneously happening in this video.

In the second video, the viewer watches what is a constructed video and although they have the ability to construct a narrative in their own mine the video is more forced and constructed in a way that the viewer observes what I want them to with the focus being on the Salesperson in the background, and in the foreground more obviously the Preacher/ Evangelist and their interactions with each other and the people around them.


The videos will be displayed on two screens next to each other, they will be played at the same time as they have the same soundtrack, they are played side by side so the viewer really gets to see the contrast between the narrative they have constructed, and the narrative which has been constructed for them.
The videos are both 2mins and 47 seconds long, with the same soundtrack, they will be played together at the same time, and will loop continuously, this has the advantage of giving the viewer chance to construct their narrative on the first one and look at the second installment of the video without taking too much time, but at the same time providing an adequate amount of time to enjoy the videos.

Monday, 28 October 2013

Video proposal

Proposal for Videos

In my two videos, I am looking at the theme of observation and identity through a camera mounted like a static CCTV camera and a video that has been cut up and put together to create a narrative.  To arrive at this idea of observation, I looked at how we all like to observe each other and create our own stories as to what people are doing. We often don’t know these people but we are curious by nature and like to jump to conclusions about people’s actions. 

The first video is set up in a similar way to a CCTV camera and is a recording of the high street in Chester from above. In this video, the viewer is encouraged to look at what is happening in the high street, and start to form a narrative in their own mind as to what is happening, this may differ greatly from viewer to viewer, or could possibly be similar. The video will be played in a loop giving the viewer a chance to watch several times to really get to grips with the large amount of things simultaneously happening in this video.

In the second video, the viewer watches what is a constructed video and although they have the ability to construct a narrative in their own mind the video is more forced and constructed in a way that the viewer observes what I want them to with the focus being on the Salesperson in the background, and in the foreground more obviously the Preacher/ Evangelist and their interactions with each other and the people around them.


The videos will be displayed on two screens next to each other, they will be played at the same time as they have the same soundtrack, they are played side by side so the viewer really gets to see the contrast between the narrative they have constructed, and the narrative which has been constructed for them.
The videos are both 2mins and 47 seconds long, with the same soundtrack, they will be played together at the same time, and will loop continuously, this has the advantage of giving the viewer chance to construct their narrative on the first one and look at the second installment of the video without taking too much time, but at the same time providing an adequate amount of time to enjoy the videos.



Clip one                                                            Clip 2

Thursday, 24 October 2013

creating my video

i have put my video together using premier pro, and i have some screenshots to illustrate the video compilation



 i had to clean up my audio to get rid of pops and clicks, i did that usind adobe soundBooth



Thursday, 17 October 2013

Rory Carnegie


RORY CARNEGIE: BIOGRAPHY
Rory Carnegie is an award winning photographer working both in the UK and Internationally. His published books include: Sons of the Moon, a study of the people of the Altiplano, Bolivia; Art Crazy Nation, portraits from the art world in the UK and, How the World came to Oxford, documenting the experiences of refugees in the UK.

He was shortlisted for Sony World Photographic Awards 2013 in the Fashion category and won Gold at the AOP Awards 2013.

He has exhibited in the UK at the National Portrait Gallery, The Lowry in Salford, South East Art Centre and MAO in Oxford, as well as contributing to exhibitions in America, Holland and Russia.

He is currently working on a project with the writer, Tim Pears, documenting the lives of a divided community called, I Am From.



Rory carnegie has looked at people on buses, looking at their identity, the work focuses on looking through the wondow at the occupier, and gives us a split second bit of information about what is going on in their lives, or what we think is going on in their lives more to the point. 

Friday, 11 October 2013

Erin Quinn

http://www.erinquinnphotography.com/projects/surveillance

boris mikhailov

boris mikhailov is a photographer who i am looking at because of the way he portrays people, he essentially pays people to do what he wants them to do, and then photographs them, i personally don't feel this is ethical. i however am looking at people identity, so i thought it would be worth a look

http://www.moma.org/visit/calendar/exhibitions/1138
Ukrainian-born Boris Mikhailov is one of the leading photographers from the former Soviet Union. For over 30 years, he has explored the position of the individual within the historical mechanisms of public ideology, touching on such subjects as Ukraine under Soviet rule, the living conditions in post-communist Eastern Europe, and the fallen ideals of the Soviet Union. Although deeply rooted in a historical context, Mikhailov’s work also incorporates profoundly engaging and personal narratives of humor, lust, vulnerability, aging, and death. 


This exhibition is the first in-depth presentation of Mikhailov’s seminal Case History series (1997–98) in an American museum. This body of work explores the deeply troubling circumstances of people who have been left homeless by the collapse of the Soviet Union. Set against the bleak backdrop of the industrial city of Kharkov, Mikhailov’s life-size color photographs document the oppression, devastating poverty, and everyday reality of a disenfranchised community living on the margins of Russia’s new economic regime. Mikhailov recalls of his experience returning to Kharkov some years after the collapse of communism, “Devastation had stopped. The city had acquired an almost modern European centre. Much had been restored. Life became more beautiful and active, outwardly (with a lot of foreign advertisements)—simply a shiny wrapper. But I was shocked by the big number of homeless (before they had not been there). The rich and the homeless—the new classes of a new society—this was, as we had been taught, one of the features of capitalism.” One of the most haunting documents of post-Soviet urban conditions, Mikhailov’s pictures capture this new reality with poetry, clarity, and grit.